The symphony gave particles of harpsichord but also informed us about how the character is feeling by the way it was playing during the recitative. The count is about to launch into an aria how he doesn’t like the fact Figaro is happy with his fiancé Susana when the count would really bed her. The Marriage of Figaro by Wolfgang Amadeus Mozart is an exemplar case again. The other form that recitative can take is the accompagnato recitative, that’s when the whole symphony backs up the songster during the recess. Harpsichord is the only instrument supporting, that too isn’t in durability. The count goes on in detail of a commotion between his woman, the innumerous and one of the boys in the castle. Ou can hear one of the Seco recitatives from The Marriage of Figaro by Wolfgang Amadeus Mozart. Secco recitative is where the songster is supported by just many instruments, generally just a harpsichord or cello. It’s a sing-song peroration that imitates the natural pattern of speech but in song form. Recitative is one of the most noticeable styles used.
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Opera has some special styles of singing that it uses to move the plot along and give the followership information.
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